Robo Bass is a key aware bassline / riff player that can be used to program simple sequences and play them across the keyboard. Depending on the style of the music it may be best to set a key first in the Key & Tempo module to keep the sequences sounding musical as they are […]

Outta Bass has local and cloud presets. Cloud presets must be installed locally before they can be used. Presets can be exported to a file to transfer between devices. These get written to your iCloud Drive. The entire preset database can be backed up via iTunes. Its is recommended Outta Bass is not running at […]

Outta Bass supports virutal and hardware Midi as well as Midi across AudioBus. Controls Settings Page MIDI Channel – Outta Bass just supports a single MIDI channel Receive Parameter Changes – Respond to incoming System control messages. You’d want this on for parameter automation. Send Parameter Changes – Send System control messages Parameter MIDI mapping […]

The Key and Tempo module sets some musical attributes which are used by the synth in many different areas. The Key is used for keyboard display as well as Robo Bass where it can automatically keep sequences in key by shifting to the nearest (or most muscial) note. The tempo and time signature are used […]

A 3 band EQ comprise of an upper and lower shelf with a parametric mid and quite a large degree of overlap. Controls Low Page Gain – from -18dB to 18dB Frequency – from 20Hz to 400Hz Mid Page Gain – from -18dB to 18dB Frequency – from 80Hz to 8000Hz Q – bandwidth size  […]

The delay is a modulated mono delay with HPF and LPF filters in the feedback loop. Controls Delay Page Mix – Sets the wet/dry mix (delay/original mix). The delay will turn itself off if  the wet mix is zero. Delay time / Feedback – sets the delay time (1ms to 1s) and feedback (0% to […]

The distortion is a 3 parameter overdrive unit. Controls Pre-Gain – set the amount of pre-gain into the overdrive, from 0dB to 24db. This control enables the module when it is turn up above 0dB Colour – manipulates the colour of the distortion Tips: For a softer distortion try driving the master volume hard as […]

Each voice has 4 envelopes that are triggered from the note on. One is over the waveforms and controls amplitude, the second is over the filter and controls cutoff frequency, the third and fourth are on LFO1 and LFO2, Controls Waveform Page Attack – Attack time from 0.001s to 10s. The Waveform Envelope has a fast […]

Outta Bass has two LFO’s which can be assigned to any attribute of the voice.  Each voice applies a simple AHD envelope which allows for the manipulation of the LFO over time. Controls LFO1 LFO1 Assignment – the voice parameter that will be modulated. LFO1 Waveform – the LFO waveform LFO1 Rate / Intensity – […]

The Filter module controls the resonant filter in each voice. Controls LPF / HPF – sets the filter mode to be either low pass or high pass Resonance / Frequency – sets the filter resonance (0% – 100%) and cutoff frequency (20Hz to 20kHz).